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- North Brisbane Film Festival screens Aleph documentary
- Aleph documentary in official selection at 2017 Respect Belfast Human Rights Film Festival
- Jewish submissions to the Select Committee on the Exposure Draft of the Marriage Amendment (Same-Sex Marriage) Bill
- Aleph Melbourne withdraws from tainted 2017 Midsumma Pride March
- ADC presents “Making a Difference” award to Georgie Stone
- Responses in the AJN to Bill Leak’s “Waffen-SSM” cartoon
- Aleph Melbourne presents documentary DVD to Glen Eira Council
- Protected: Aleph Documentary – Press Kit
- JIFF 2016 – The Queer Sessions
- ADC responds to Bill Leak’s “Waffen-SSM” cartoon
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TagsAJN Aleph Melbourne Bigotry Bullying Conservative Judaism Dayenu Discrimination Doug Pollard ECAJ Gay Gay Marriage GLBTIQ Holocaust Homophobia Homosexuality Human Rights Israel JCCV Jewish John Searle Jonathan Barnett JOY 94.9 Judaism Keshet Lesbian Marriage Equality Melbourne Michael Barnett Nazi New York Nitzan Horowitz Orthodox Judaism Progressive Judaism Rabbi Dr Shimon Cowen Reparative Therapy Roy Freeman Safe Schools Coalition Victoria Same-sex marriage Sexual reorientation therapy Sydney Mardi Gras Tel Aviv Tel Aviv youth centre attack Transgender UPJ USA
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Jewish submissions to the Select Committee on the Exposure Draft of the Marriage Amendment (Same-Sex Marriage) Bill
Regretfully Aleph Melbourne will not be participating in the 2017 Pride March due to Midsumma keeping News Corp Australia as a sponsor. This breaks an annual tradition going back to 1997.
While News Corp journalists like Andrew Bolt, Mirada Devine and Rita Panahi are on a crusade to destroy transgender kids, the Safe Schools program and marriage equality, it is completely unacceptable for any LGBTIQ community organisation to accept money or in-kind support from them.
Thirteen-year old Tyrone Unsworth might not have had cause to take his own life if News Corp had not fuelled the fires of bigotry and intolerance. If Midsumma want to partner with News Corp then it must accept responsibility for Tyrone’s tragic death.
“This is the second year that News Corp have been a supporter of Midsumma (Herald Sun logo was used last year).”
— Midsumma (25/11/2016)
Sadly this is the second year that Midsumma have had News Corp as a sponsor. Aleph Melbourne would not have participated in 2016 if this had become apparent at the time.
Aleph Melbourne calls on Midsumma to hold News Corp to account for their words and actions, along with returning any cash sponsorship or in-kind support.
— Aleph Melbourne (@alephmelbourne) November 25, 2016
JOY 94.9FM – 6PM News – Nov 25 2016
Community Upset At Midsumma’s News Corp Sponsorship (SameSame; 25/11/2016)
Gay activist must apologise for this lie (Herald-Sun; 26/11/2016)
OPINION: Enough, Everyone, Andrew Bolt Is No Transphobe (SameSame; 27/11/2016)
Transgender teen becomes youngest, and first ever LGBTI person to receive prestigious ADC Making a Difference Award
November 15, 2016
16-year-old transgender teen Georgie Stone, who has campaigned for transgender rights and for greater tolerance, has become the youngest, and first, LGBTI person to win the prestigious Anti-Defamation Commission’s (ADC) Making a Difference Award given to individuals who through their actions champion social change, confront hatred, and empower others to create a more inclusive, respectful society.
Dr. Dvir Abramovich, Chairman of the ADC issued the following statement:
“Georgie is a remarkable young woman. Her courageous advocacy for the LGBTI community, and her unwavering, uplifting dedication to create a kinder and more tolerant Australia perfectly mirror our core mission of combatting discrimination and bigotry. She is a one-of-a-kind inspirational advocate for social change and a positive role model foryoung people to stand up to hatred and bullying. Her passionate voice reminds us that we all have a duty to bring greater awareness to the impact of bias, to advance equality and opportunity for all people and to build bridges of understanding.”
In accepting the award Georgie Stone said:
“It was an honour to receive the Making a Difference Award from the Anti-Defamation Commission. We have made so much progress in the fight for transgender rights, but there is still a long way to go. Our combined efforts will hopefully bring about the change in laws and acceptance that we need to progress as a society.”
The Anti-Defamation Commission, founded in 1979, is Australia’s leading civil rights organization fighting racism through educational programs that combat bigotry, prejudice and all forms of hatred.
For further information please contact Dr Dvir Abramovich on (03) 9272 5677.
IT’S a bit rich for Paul Winter (AJN 21/10) to talk about society only protecting noisy, aggressive minorities subverting democracy.
Part of our democratic society is to protest about things we see as wrong. Signalling disapproval to a supplier, such as a hotel, is a legitimate way to make it known that you disapprove of their business practices. Threatening people is never acceptable and every protest has those on the fringe. It’s unfair to suggest that all protesters hold the same opinions or use the same actions. Similarly, overlooking that a vast majority of Australians support marriage equality and that it’s a small minority of religious people who object is to ignore reality.
As a society we must look after our minorities and listen to their needs so that people aren’t simply ignored or regarded as insignificant. The gay population is about two per cent, while the Jewish population is around 0.5 per cent.
Minorities always struggle to have their plight seen as important by the larger population and struggle to gain recognition and relevance in a world that mostly considers minorities unimportant.
In his letter, Geoff Bloch (AJN 14/10) downplays the obvious Nazi connections with the Leak cartoon. He said that the cartoon did not depict marriage equality advocates as Nazis, seeming to avoid the only words written on the cartoon “Waffen-SSM”.
Speaking as a man who is gay, I found Leak’s cartoon to be in extremely bad taste and Bloch’s letter equally objectionable.
Australian Jewish News, October 28 2016
Follow the progress of our documentary on Facebook: Aleph 20 Project
This year’s Jewish International Film Festival includes a selection of films to tempt those looking for queer themes. Click on the film title for the offical JIFF page and session details in Melbourne and Sydney.*
“…fresh, frank look at coming out and coming of age in contemporary Israel” — Variety
“A female-focused Israeli rebel romance” — The Hollywood Reporter
Described as the Israeli Blue Is the Warmest Color, Barash vividly captures the heady energy and infatuation of youth, set against the backdrop of the Arab-Israeli conflict. With conservative, detached parents and an older sister who has mysteriously vanished from the IDF, 17 year old Na’ama is bored of her sleepy suburbia. But when a new girl appears at school, she sends shockwaves through Na’ama’s rigid domestic sphere, propelling her headlong into a dizzying world of sex and drugs.
A vibrant coming-of-age tale, Barash premiered at the San Sebastian Film Festival, and won Best Script, Best Actress and Best Actor at Haifa International Film Festival.
85 MINS / HEBREW (ENGLISH SUBTITLES)
DIRECTOR — MICHAL VINIK
David and Khaled are happily in love, poised to marry. Their attempts for matrimonial harmony are thwarted by family foibles: a homophobic father, a pseudo-orthodox Jewish mother, and an unexpected pregnancy. The two men have a few things to straighten out before they can say their vows and live happily ever after. An endearing and wacky family comedy.
85 MINS / GERMAN (ENGLISH SUBTITLES)
DIRECTOR — HANNO OLDERDISSEN
The People vs. Fritz Bauer (Der Staat Gegen Fritz Bauer)
[contains some LGBT themes; * screening nationally]
“…riveting and revelatory” – Forward
Germany, 1957. Attorney General Fritz Bauer receives crucial evidence on the whereabouts of the so-called ‘Architect of the Holocaust’, Adolf Eichmann. Bauer, himself Jewish, has been trying to take crimes from the Third Reich to court ever since his return from exile, but has been stymied by an unforgiving German government. Bauer covertly elicits the help of the Israeli secret service to bring Eichmann to justice, and, in doing so, commits treason against Germany.
With fast-paced direction from Lars Kraume (Tatort), The People vs. Fritz Bauer is a historical thriller that exposes the elusiveness of evil while celebrating the tenacious heroism of Bauer. Audience Award winner at the Locarno International Film Festival, and winner of six 2016 Lolas (German Oscars), including Best Film, Best Director, Best Supporting Actor and Best Screenplay.
IN HONOUR OF Peter Sharon Ivany for their support of Jewish Film in Australia
105 MINS / GERMAN (ENGLISH SUBTITLES)
DIRECTOR — LARS KRAUME
“A heady, sometimes headlong blend of fable and nightmare, with overtones of David Lynch and Franz Kafka…” — NY Times
Compelling, memorable and visually spectacular, Avishai Sivan’s sophomore film tells the story of a young Hasidic student who undergoes an immense spiritual crisis. Haim-Aron is the son of an overbearing butcher, and a devout and methodical follower of the scriptures: adhering to rituals and traditions of his faith with a bored detachment. A freak accident and a (near) death experience change everything, as Haim-Aron finds himself at odds with his sexuality and religious beliefs.
Magnetising audiences with its bold depictions of sexuality and faith, Tikkun is a stylish and unsettling film that offers a visceral and tumultous experience of a man struggling against repressive forces. Winner of Best Feature Film, Best Cinematography, Best Script and Best Actor at Jerusalem Film Festival, and the Silver Leopard Prize at 2015 Locarno Film Festival.
121 MINS / HEBREW, YIDDISH (ENGLISH SUBTITLES)
DIRECTOR — AVISHAI SIVAN
“Why Hast Thou Forsaken Me doesn’t just have all the elements of a cinematic feat; it is one.” — Nisimazine
Muhammed is a young Israeli Palestinian man, meandering along the fringes of society. He is sexually and culturally confused and is drifting aimlessly through life. He is drawn in by the enigmatic Gurevitch, a motorbike-riding mechanic and the two begin an illicit and dangerous relationship. With a cast composed of non-actors, Israeli director, Hadar Morag, has created a visceral and immersive landscape, and a filmworld permeated by a sense of unease. Premiered at Venice Film Festival in the Orizzonti Competition.
94 MINS / HEBREW, ARABIC (ENGLISH SUBTITLES)
DIRECTOR — HADAR MORAG
Dr Dvir Abramovich, Chairman of the Anti-Defamation Commission (ADC) said he understood why cartoonists are drawn to the Nazi analogy but described the comparison as repulsive.
The ADC describes itself as one of Australia’s leading civil and human rights organisations. The Australian Jewish community organisation aims to fight anti-Semitism and all forms of racism.
“I recognise how irresistible the Nazi analogy is for cartoonists looking to generate shock and headlines and grab attention. But no matter how strong Leak’s objections to marriage equality advocates, to compare them to the Waffen SS, part of Hitler’s demonic regime and responsible for the murder of millions, only adds to the cynical debasement, twisting and abusing of the Holocaust so prevalent today.” Dr Abramovich said.
“To draw such repulsive equations is deeply offensive, shows a gross lack of understanding of the historical truth, and only fans the flames of hatred and demonisation of the LGBTI community. It also insults the memory of the victims, which included gay people, as well as hurts the survivors and all those who fought valiantly against the Nazis in WWII.
“Such analogies are totally unacceptable, even in satirical cartoons, and only serve to coarsen public debate. They have no place in Australia’s civil discourse and must be repudiated.” Dr Abramovich concluded.
This is the original cartoon: